Mr. Gibson, an abstract painter who often works on animal hides in homage to his American Indian heritage (he is a member of the Mississippi Band of Choctaw Indians and is half Cherokee), is certainly an interesting choice. His work points to worlds of intensive, disciplined art making beyond the walls of this Academy, or any academy.

It also embodies two sweeping trends in contemporary art: feverishly bright geometric abstraction and the creative reuse of found objects. The animal hides are stretched over antique mirrors and ironing boards, and even wrapped around fluorescent light tubes in an obvious nod to Dan Flavin.

In his catalog essay the show’s curator, Marshall N. Price, describes Mr. Gibson’s work as a “mash-up” or “remix.” The show’s playful title, he says, imagines a “dialogue between two urban animals as characters in a contemporary creation myth.”